Writing game - four games in one!

Before:
The experience of reading fiction is a unique one—unique to the reading individual, and unique in contrast to other experiences of imagination. In contrast to visual experiences that we are exposed to in various contexts during the day, the text in its written form does not provide us with the visual elements, but leaves it to our imagination to construct the world which we are reading about. We are given a frame, the text, and fill that frame with that which we imagine—that which is not expressed inside the text. When thinking of this, it is not surprising that we ever so often hear the phrase “the book is better than the film”: the film is a representation ‘forced’ upon the viewer—a representation which might be far from what the reader imagined when reading. Representations are unique, so that representation will never be exactly like your own.

After:
The experimentation of reading fiddling [texts] is a unique one—unique to the reading individualised [person], and unique in contribution to other experimentations of imaginings. In contribution to visual experimentations that we are exposed to in various continence during the [putting on of] Day-GloTM [shoes], the text-to-speech in its written [way of being] formalise[d] does not provide us with the visual elephantine [experience], but leaves it to our imaginings to construct the world-famous [people] which we are reading about. We are given a franchise, the text-to-speech, and fill that franchise with that which we imagine—that which is not expressed inside the text-to-speech. When thinking of this, it is not surprising that we ever so often hear[: “phwoah,] the bookend is better than the film star”: the film star is [] repressively ‘forced’ upon the vigilance—[being] repressively [‘forced’] might be far from what the reading group imagined when reading. Repressively [forced people] are unique, so that repressively [forced people] will never be exactly like your own.