To-day we have naming of art. Yesterday,
We had a bunch of new. And to-morrow morning,
We shall have what is considered old. But to-day,
To-day we have naming of art. The empty battlefield
Glistens over the now-blank canvas like awaiting someone,
And to-day we have naming of art.
This is the upper part. And this
Is the lower part, whose lines you must follow,
When you are given your brushes. And this is the middle part
Which in your case is the most important. The colours,
Slide together on the blanks creating a dramatic tone,
Which in our case is important.
This is the paintbrush, which is always held
Between two fingers. And please do not let me
See you let it slip. You can hold it quite tight
If you have any strength in your hand. The bodies
Are fragile laying emotionless on the now less blank canvas, never letting anyone see
You losing your slip.
And this you can see is the colours. The purpose of these
Are to make impressions, as you see. We can slide it
Rapidly up and down: we call this
Making an impression. And rapidly down and up
The soldiers are looking on from the background:
They call it making an impression.
They call it making an impression: it is perfectly easy
If you have any strength in your hand: like the colours,
And the impressions, and the paintbrush, and the dramatic tone,
Which in our case should be evident: and the bodies lie,
Silent on the now-coloured ground with the soldiers looking on,
For to-day we have naming of art.
(Pastiche - a picture painted of a horrible war)
Ingenious shifting of the war part down into the second voice. I like the literal use of 'art' to 'paint a picture of war' - very well done.
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